The design of Hotel Veronesi La Torre brings together different eras. Historic architecture sits alongside furnishings and pieces by leading figures in 20th-century and contemporary design, creating a connection between past and present that extends from the rooms to the common areas.
Our Design
Our Design
Style and design: where every space narrates history and modernity
Doors made from different types of marble, lamps, tables and works of art are more than decorative elements. They give each space, and sometimes individual rooms, its own identity. This attention to detail defines the style of Hotel Veronesi La Torre.
Design as an Experience
The atmosphere of Hotel Veronesi La Torre is shaped by details waiting to be discovered. Works of art, furnishings, lighting, decorative pieces and architectural features are more than just objects. They interact to create an immersive experience, surprising guests in every space through different shapes, materials and combinations.
Works of art and decorative pieces
Among the most recognisable pieces enriching our spaces are Le Témoin, a sculptural sofa designed by Man Ray in 1971, and the Le Grand Trasparent mirror, created for Cassina. These works of art and design pieces become an integral part of the surroundings, immersing guests in the atmosphere and helping to define the unique identity of Hotel Veronesi La Torre.
Designer seating and furnishings
Sofas, armchairs, chairs, desks and tables bring the work of international designers into the hotel’s spaces. These include Zaha Hadid’s “Moon System” sofa, one of Gaetano Pesce’s characteristic curved armchairs, Verner Panton with the “Panton Chair” and Jean-Marie Massaud’s “Aspen” sofa, designed in 2005. Other notable pieces include the “Eames Desk Unit EDU” and a chair by Charles and Ray Eames for Vitra, the Mantilla sofa designed by Kazuhide Takahama, and Kartell pieces such as the “Optic” and “Stone” bedside tables and the “Jolly” side table.
Lighting and accessories
Lighting also helps define the character of Hotel Veronesi La Torre’s interiors. Featured pieces include Ferruccio Laviani’s È wall lamps, the Lumen floor lamp by FontanaArte, Catellani & Smith’s “Minimalismo” lamps and the “Bruco” lamps. The Kelvin wall lamp and Luminator floor lamp by Flos further demonstrate how lighting becomes an integral part of the hotel’s overall design.
A gallery of marble doors
The doors are among the most distinctive design features of Hotel Veronesi La Torre. With 90 different doors, each adds character to the surroundings and reflects the attention given to every detail. Materials include various types of marble and stone, such as Azul Bahia, Cipollino marble, Persian onyx, green Persian onyx and Sarentino porphyry. This exploration of materials is also reflected in unusual architectural features, such as the sugar door designed by Studio Botturi, which showcases real sugar integrated directly inside the structure.
Design in the rooms
The design of Hotel Veronesi La Torre extends into its private spaces. Each room has its own identity: red Verona marble washbasins and natural walnut floors create a common thread, while furnishings, lighting, works of art and decorative details vary from room to room, making each one a new discovery.
Attention to detail is evident from the doors themselves. Room 222, for example, welcomes guests with an Azul Bahia marble door, while other rooms feature varieties such as Cipollino marble and Persian onyx. Additionally, doors made from green Persian onyx or Sarentino porphyry sit alongside wooden ceilings, strengthening the connection between materials and architecture.
Each room interprets this combination in its own way, but the contrast is particularly striking in the Tower Suite. Set across three levels within the ancient medieval tower, it offers an intimate and romantic setting, ideal for couples. Here, historic architecture meets the elegance of design, with furnishings by renowned figures such as Charles and Ray Eames and Man Ray creating an atmosphere of exceptional beauty.
Gallery
FAQ - The design of Hotel Veronesi La Torre
Hotel Veronesi La Torre is the result of a careful and respectful architectural restoration. Within these historic spaces, contemporary design has been incorporated to enhance the original architecture. In this way, modern forms help define the unmistakable identity of both the hotel’s rooms and common areas.
The interiors of Hotel Veronesi La Torre feature works of art and furnishings by renowned designers such as Man Ray, Zaha Hadid, Gaetano Pesce, Verner Panton, Charles and Ray Eames, Jean-Marie Massaud and Kazuhide Takahama. Pieces from iconic brands such as Kartell, Cassina, Flos and FontanaArte further enhance the atmosphere, offering guests an immersive experience of design.
Design is a defining feature of both the rooms in the historic wing and the common areas of Hotel Veronesi La Torre. Corridors and shared spaces feature works of art and designer furnishings, including pieces by Man Ray, Zaha Hadid, Gaetano Pesce, Verner Panton and Jean-Marie Massaud. Meanwhile, the new wing features a contemporary style with vibrant colours.
Our aim is to make guests feel part of a unique setting where aesthetics and hospitality come together. Every detail, from the choice of lighting to the seating, is carefully considered to create an intimate and sophisticated atmosphere, turning every moment spent at the hotel into an experience of elegance and comfort.
Design features in the hotel’s central and historic wing vary from room to room and include desks, seating by Charles and Ray Eames. There are also furnishings by Verner Panton and Kartell, and lighting by Flos, FontanaArte and other brands. Marble doors made from materials such as Azul Bahia, Cipollino marble, Persian onyx and Sarentino porphyry contribute to the individual character of each room.